Max’s time powers still apply in her younger body, giving the player plenty of extra chances to solve the puzzle of saving William’s life before he walks into the ‘light,’ acting as the boundaries of the level.
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The present is dark and uncertain, yet the paused video game on the TV and Chloe and her father playfully interacting reflects a yearning that most young adults experience-a desire for life to be as complicated as picking which park to play in that day. In this time rewind, the past feels simpler, safe. This loss has a profoundly adverse effect on Chloe’s maturation-she becomes abrasive and reckless, angry at the world for dealing her this hand. In an effort to right a metaphysical wrong, she uses an old Polaroid of her and Chloe to revisit the day that Chloe’s father William dies. It becomes clear that Max’s first tampering with time alters the course of the present for the worse, and Max must continuously fix problems generated from this tipping of the scales in her favor, coming face-to-face with the cost of power and its abuse.
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As a teenager, this power becomes incredibly advantageous, allowing Max to stop her friend from being bullied, impress members of the school staff, free a trapped bird in a house, and other small things that can be discovered by exploring the delightfully artistic setting of Arcadia Bay. Max gains the power to rewind time as a result of her initial effort to prevent Chloe’s death. Life Is Strange is thusly discrete compared to Oxenfree despite all the similarities. These instances are intensely emotive, and when Alex is moved into her own time and reality again, the disconnect is loathsome. It adds tension and urgency-that Alex must make the most of the serendipitous side effect that gives her Michael back whilst battling possession. Despite having just three options to offer in conversation, the speech bubbles will fade away as the conversation progresses between the other characters. Alex’s interactions with past!Clarissa and Michael are naturalistic and believable, and the dialogue system of Oxenfree provides a subtle twist on the choice narrative. Past!Clarissa is hopeful and warm-hearted, trying hard to hit it off with the little sister. The color scheme of Oxenfree’s gorgeous art style switches to warm yellows and golden oranges, conjuring up a homey feeling, that this past is real and this present is not.Ĭlarissa’s haughty personality is revealed to be the result of the loss of her boyfriend. Detached from the perils of Edwards Island, the time rewinds in Oxenfree are safe, calm, and peaceful. Time rewinds happen at the whim of supernatural beings-expressed quite clearly as creatures who are using their time powers to create alternate demises for one character.
Clarissa is acerbic and distant, choosing to sit, drink, and smoke on the beach rather than socialize with Alex, Ren, and Jonas. (Michael died before the events of the game and his death deeply impacts Alex and Michael’s girlfriend Clarissa.) Alex is assertive, witty, and self-deprecating, and depending on player choices, can be companionable or cold to her new step-brother Jonas.
For Alex, she is placed in instances where her brother Michael is alive.
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As described by Alex, the player-controlled protagonist, your soul or essence is “exhaled somewhere else” and not influenced by what the character wants or needs. Time rewinds in Oxenfree are a strange side effect of alternate dimensional beings taking possession over your body. Both are very good games, so I recommend checking them out first before reading! Stay with me-I hope I deliver on that. Lots of spoilers for Life Is Strange and Oxenfree follow. What I really want to look at is time manipulation and control as a means for reconciling the impact that grief has. Life Is Strange and Oxenfree are two of my favorites, and when the credits rolled for each, there was a realization that these games truly did leave their mark on me, which was cause for surprise. Whenever I see a new game with quirky characters, skillful storytelling, and weird game mechanics, I’m there faster than you can say “RPG Maker” and about knee-deep in developer blog entries and fan theories. I think lots of people are, which makes me feel less like a sap, so I’m grateful for that. I’m a sap for indie games with great art direction.
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